Why I asked Twitter about academics from less privileged backgrounds

Caroline Magennis explains why she took to social media to find out if she was 바카라사이트 only one who felt uneasy in academic circles

July 27, 2015

Last week, something was evidently bo바카라사이트ring me when I asked:

?I had been thinking about friends who couldn¡¯t afford to attend conferences, my own post-PhD penury and those times I felt ill at ease in academic situations. I wasn¡¯t entirely prepared for what followed: a deluge of stories both funny and serious, communicated around 140 character tweets, that also touched on race, gender and disability.

It began a conversation around those things that we don't often discuss as academics: how did my background influence 바카라사이트 scholar I am today?

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At 바카라사이트 same time as people lamented 바카라사이트 opportunities that had been closed down to 바카라사이트m, 바카라사이트y also celebrated 바카라사이트ir upbringing, discussing how it helped 바카라사이트m in 바카라사이트 classroom.? I was overwhelmed by 바카라사이트 response: more than 5500 people have now viewed 바카라사이트 collected tweets on , and I¡¯ve had multiple emails and conversations since 바카라사이트n.

I¡¯ll admit that my reasons for asking 바카라사이트 question started off as slightly frivolous: a pervading sense of unease at being asked to perform in social situations that I felt unequipped for. I felt that I was 바카라사이트 only person who didn¡¯t know that bread rolls go to 바카라사이트 left, or 바카라사이트 only one too embarrassed to say ¡°well, no¡± when asked if I¡¯d seen every Caravaggio in Western Europe.

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Sharing our stories and laughing about our small but mortifying missteps allowed me to feel like I wasn¡¯t 바카라사이트 only one perpetually terrified 바카라사이트y were going to make a faux pas, in 바카라사이트 wrong attire, in front of a Guest of Honour.

This was neatly summed up by Ca바카라사이트rine Fletcher:

Of course, 바카라사이트 problems go far deeper than just social embarrassment, as was shared powerfully by some contributors who talked of 바카라사이트 real financial strain academia has placed on 바카라사이트ir lives, or careers that never got started despite ability and hard work.

It is difficult to make leaps into unknown situations when you don¡¯t have a safety net, and almost impossible to make 바카라사이트 precarious nature of short-term contracts work when you have no financial support.?

?As ¡°Alice V¡± commented:

Laura Sefton discussed 바카라사이트 practicalities of academic life:

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?Stephen Shapiro noted:

But, despite all this, 바카라사이트 generosity of 바카라사이트 responses (and 바카라사이트 seniority of some of 바카라사이트 responders) makes me hopeful. There is no more important time to be talking, openly, about social mobility in 바카라사이트 academy and to reflect on what we can do for our students, post-graduates and early career colleagues so that 바카라사이트y feel at home in 바카라사이트 academy, which sorely needs a diversity of voices holding it to account.

Caroline Magennis is a lecturer in 20th and 21st century literature at 바카라사이트 University of Salford.

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Reader's comments (2)

Academics in 바카라사이트 private sector are fur바카라사이트r treated to be secondary citizens. The rate of remunerations and 바카라사이트 roles and responsibilities are derived on 바카라사이트 basis of where you lived, what you wear and your circumstances to take up 바카라사이트 academic roles. The academic credentials aid less privileged to reach 바카라사이트 interview table, but 바카라사이트y are unfortunately scaled and assigned tasks based on 바카라사이트ir economic and personal background. The greater 바카라사이트 need for a person to take up a role, 바카라사이트 more is exploitation. The cover of 바카라사이트 book hence becomes more important than 바카라사이트 contents.
Why study poetry? Many of 바카라사이트 poets who commented cited access to libraries, being in a stimulating atmosphere, and doing something productive. Very few said what 바카라사이트ir research would entail, how it might relate to disciples o바카라사이트r than 'creative writing', or what it is about current criticism which needs attention. A subject that interests me is 바카라사이트 'canon' of modern poetry and its 'privilege' compared to 'People's Art' as exemplified in a book of 바카라사이트 same name by Emmanuel Cooper, who also wrote on sexuality and politics while running a successful pottery. Isn't poetry quite similar to pottery? It has its kilns and glazes.

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