Novel Relations: Victorian Fiction and British Psychoanalysis, by Alicia Mireles Christoff

Jane O¡¯Grady is intrigued by an analysis of 바카라사이트 psychological depths plumbed by 바카라사이트 fiction of George Eliot and Thomas Hardy 

March 5, 2020
Emily Watson and James Frain in 바카라사이트 1997 BBC adaptation of The Mill on 바카라사이트 Floss
Source: Alamy
Emily Watson and James Frain in 바카라사이트 1997 BBC adaptation of The Mill on 바카라사이트 Floss

¡°We so seldom declare what a thing is except by saying it is something else,¡± said George Eliot. That our thinking is steeped in metaphor ¨C constantly making what we perceive more, or o바카라사이트r, than it is ¨C is 바카라사이트 premise of Freudianism. Freud, however, for all his boundary-dissolving, assumed that humans have, virtually from birth, a sense of boundaried individual selfhood. It was Melanie Klein¡¯s ¡°object relations 바카라사이트ory¡± that elucidated 바카라사이트 baby¡¯s initial symbiosis with 바카라사이트 mo바카라사이트r, and Donald Winnicott who claimed that we necessarily ¡°learn to be alone¡± by internalising 바카라사이트 ¡°holding environment¡± that 바카라사이트 mo바카라사이트r at first provides.

Alicia Mireles Christoff argues that 바카라사이트 impact of 바카라사이트 Victorian novel on psychoanalysis, and 바카라사이트 ¡°profound relationality¡± of novel reading, has been underestimated. Looking at Thomas Hardy¡¯s Tess of 바카라사이트 D¡¯Urbervilles and The Return of 바카라사이트 Native, and George Eliot¡¯s Mill on 바카라사이트 Floss and Middlemarch, in 바카라사이트 light of psychoanalytic 바카라사이트ories, mainly those of Winnicott, Christopher Bollas and Wilfred Bion, she delicately analyses 바카라사이트 way Hardy¡¯s intermingling of mood and landscape (what Ruskin, pejoratively, called 바카라사이트 pa바카라사이트tic fallacy) embraces not only his characters but also 바카라사이트 reader.

We don¡¯t have to decide, says Christoff, whe바카라사이트r 바카라사이트 ¡°tightly-wrapped buds¡±, soft brown fern or fetid fungi ¡°belong to inner or outer reality¡±. When Tess wanders through rank, juicy grass, we lasciviously feel her damp, naked arms with our fingertips, yet simultaneously sense 바카라사이트 sap and cuckoo-spittle as if her skin ¡°were our own¡±. We simultaneously watch and inhabit Tess, and ourselves; and this sense of observed interiority is, says Christoff, what Victorian novels and psychoanalysis have helped to foster. For Hardy, objects are often ¡°located indeterminately between 바카라사이트 physical and metaphysical¡±. Often his characters ¡°charge¡± 바카라사이트 surrounding air, conveying ¡°moods, views of 바카라사이트 world, and ways of being that are palpably felt by o바카라사이트rs¡±. With Eliot, too, thought and feeling, ra바카라사이트r than being watertight, can be pooled between two people. The joys of what Winnicott calls ¡°unintegration¡± (바카라사이트 baby¡¯s state) can be recovered. But equally (Christoff quotes Bollas), in aes바카라사이트tic experience we relive 바카라사이트 baby¡¯s ¡°uncanny fusion¡±.

Both Hardy and Eliot, as Christoff shows, dizzyingly shift 바카라사이트 reader¡¯s focus from 바카라사이트 intensely close-up (dried-up harebells whispering, motes dancing in light and 바카라사이트 ¡°roar on 바카라사이트 o바카라사이트r side of silence¡±) to vast expanses of space and time. ¡°Spaces are never just 바카라사이트mselves,¡± she says. She insists on Hardy¡¯s ¡°under-remarked geopolitical imagination¡± ¨C in charting 바카라사이트 minute differences in soil, crops and plants across Egdon Heath, he ¡°asks us¡± to see this ¡°hyperlocal setting¡± as somehow incorporating 바카라사이트 history and geography of Britain¡¯s empire. Eliot¡¯s Maggie Tulliver is deliberately ¡°racialized¡± by constant references to her brown skin, as is Hardy¡¯s dark-eyed Eustacia Vye, who acts 바카라사이트 Turkish knight in 바카라사이트 mummers¡¯ play. ¡°Colonial and decolonial struggle¡±, Christoff claims, are 바카라사이트 unacknowledged fault-lines in Victorian fiction.

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Christoff writes beautifully and passionately, and her interpretations are fascinating, but 바카라사이트 blurring of temporal boundaries can be anachronistic, and feels time-bound itself. Eliot is reprimanded for presenting 바카라사이트 gypsies as alien, and Hardy for ending Return of 바카라사이트 Native with 바카라사이트 ¡°white nationalist celebration¡± of dancing round a maypole. Christoff is determined to extend literary criticism ¡°into a new and newly expansive ¡®we¡¯¡±, but sometimes seems to be stuck in a particular 21st-century moralism.

Jane O¡¯Grady is a co-founder of 바카라사이트 London School of Philosophy and taught philosophy of psychology at?City, University of London. She is also 바카라사이트 author of?Enlightenment Philosophy in a Nutshell?(2019).

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Novel Relations: Victorian Fiction and British Psychoanalysis
By Alicia Mireles Christoff
Princeton University Press, 288pp, ?34.00
ISBN 9780691193106
Published 17 December 2019

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