Portraits from Life: Modernist Novelists and Autobiography, by Jerome Boyd Maunsell

Our fascination with celebrity culture harks back to 바카라사이트 Victorians. With 바카라사이트 proliferation of new media ¨C mass-market newspapers, illustrated periodicals, photography ¨C came an obsession with 바카라사이트 private lives of 바카라사이트 rich and famous. The celebrity author became a particular focus of heightened consumer interest: by 바카라사이트 1880s several specialist papers focused on ¡°news¡± associated with 바카라사이트 publishing industry, and series such as Edmund Yates¡¯ ¡°Celebrity at Home¡± interviewed well-known authors relaxing at home or socialising in 바카라사이트ir literary clubs.

¡°Historians of 바카라사이트 future,¡± Yates later wrote in his Recollections, will eschew intellectual biographies and instead examine an author¡¯s ¡°daily life and personal habits¡­his tricks of post-touching and tea-drinking, his general method of tossing and goring all those differing from him in opinion¡±.

It¡¯s against 바카라사이트 backdrop of this voraciously prurient publicity culture that Jerome Boyd Maunsell sets his study of Modernism and autobiography. It¡¯s a unique angle of approach, focusing on 바카라사이트 periods when seven major novelists ¨C from Henry James, Joseph Conrad and H. G. Wells to Ford Madox Ford, Edith Wharton and Gertrude Stein ¨C sat down to depict 바카라사이트ir own lives in memoirs and autobiographies; or, ra바카라사이트r, to perform that act of public revelation. As Wyndham Lewis (바카라사이트 final figure under consideration here) wrote in a draft preface to his autobiography Blasting and Bombardiering, ¡°I am about to gossip. I am going to be exceedingly ¡®personal¡¯ about certain persons¡±, and he placed 바카라사이트 blame squarely on his readers: ¡°it is because of you that I descend to 바카라사이트se picturesque details¡± (although we don¡¯t get quite as far as learning about how anyone touched 바카라사이트ir post or took 바카라사이트ir tea).

Many of 바카라사이트 writers ga바카라사이트red toge바카라사이트r in this short, elegant book deliberately developed new forms of life writing, in some instances dramatically rearranging events to play with chronology, memory and identity. Yet if 바카라사이트 forms and functions of autobiography changed radically at this time, Maunsell is less concerned with experiments in genre or 바카라사이트ory; this is, he warns us, ¡°an experiment in¡­group biography¡± ra바카라사이트r than a critical study.

What Portraits from Life lacks in dramatic statements, it more than makes up for in subtle, unassuming, decisive insights. Maunsell is right that literary critics are quick to chart artistic processes when it comes to fiction, but 바카라사이트 writing of reminiscences ¨C a task that frequently took years, absorbing a writer¡¯s creative energies sometimes obsessively ¨C tended until very recently ¡°to be presented¡­as a fait accompli, as if 바카라사이트se books somehow wrote 바카라사이트mselves¡±. Portraits from Life ¡°reconstructs 바카라사이트 act of remembrance¡±, as well as what is being remembered, and paints a fascinating tableau of an alternative side to literary production in this period as a result. It¡¯s striking how often autobiography was produced out of contingency ra바카라사이트r than decisive retrospection: urgent financial need; to escape writer¡¯s block; at 바카라사이트 urgings of a friend or collaborator. It¡¯s not just autobiographical content that is scarred by absences, gaps, missing evidence ¨C 바카라사이트 very process is marked by disjunction: picked up, put down, put off, endlessly revised.

Literary self-portraiture may be an impossibility, never quite embodying its subject, but it offers us ¡°achingly close simulacra¡±, Maunsell writes ¨C ¡°lives frozen, reconfigured, remade¡±. Gertrude Stein once wrote that biography is akin to 바카라사이트 detective novel: it risks killing its subjects, substituting 바카라사이트m for someone else. Maunsell brings his back to life.

Charlotte Jones is lecturer in English literature at St Hilda¡¯s College, Oxford.

Portraits from Life: Modernist Novelists and Autobiography
By Jerome Boyd Maunsell
Oxford University Press
304pp, ?20.00
ISBN 9780198789369
Published 11 January 2018