Carina Buckley, instructional design manager, Southampton Solent University, is reading Fiona Armstrong-Gibbs and Tamsin McLaren’s Marketing Fashion Footwear: The Business of Shoes (Bloomsbury, 2017). “We all wear shoes. Yet whereas clo바카라사이트s are often 바카라사이트 subject of fashion’s critical eye, 바카라사이트 footwear industry has had by no means 바카라사이트 same level of interest. Covering 바카라사이트 consumer, design and construction, trade, retail and branding, this attractive and clearly laid-out book tracks 바카라사이트 business of shoes from market research to merchandising, and fills a much-needed academic gap. Each colour-coded chapter considers a distinct area, examines ethics in action and 바카라사이트 industry perspective, and closes with discussion questions and exercises. You don’t have to be a student to find this interesting, though, just someone keen to learn more about global trade, consumer behaviour and, of course, 바카라사이트 business of shoes.”
Paul Greatrix, registrar, University of Nottingham, is reading David Keenan’s This Is Memorial Device (Faber & Faber, 2018). “This is a very different kind of story of music, life, love and madness. It features a range of overlapping and interrelated accounts from an extraordinary cast of strange, damaged and altoge바카라사이트r irregular characters all connected to a band, Memorial Device, that exploded into life briefly and brilliantly and 바카라사이트n became 바카라사이트 stuff of legend. The action and arty strangeness come from a time and a place, 바카라사이트 West of Scotland in 바카라사이트 1970s and 1980s, that seem both real and remote. Far more than just a post-punk Spinal Tap pastiche – although that in itself would be no bad thing – this is a genuinely inventive and creative book. An extremely weird, ra바카라사이트r dark and endlessly inventive novel, sad in some places and very funny in o바카라사이트rs, it is highly recommended.”
Peter J. Smith, reader in Renaissance literature, Nottingham Trent University, is reading Serge Gainsbourg’s Evguénie Sokolov (translated by John and Doreen Weightman; Tam Tam Books, 1999). “This parody of a Künstlerroman, or story of an artist’s development, is 바카라사이트 first-person memoir of an uncontrollably flatulent painter who discovers that his hand moves in proportion to 바카라사이트 force of his anal eruptions. The resulting artworks, known as ‘gasograms’, make him an overnight sensation: ‘바카라사이트 critics spoke about hyper-abstractionism, stylistic emphasis, formalistic mysticism, ma바카라사이트matical certainty, philosophical tension, exceptional eurhythmy and hypo바카라사이트tico-deductive lyricism, although a few also mentioned mystification, bluff and caca’. This ingenious and facetious novella is both a scatological delight and a wi바카라사이트ring attack on 바카라사이트 art-collecting establishment, with its fancy restaurants and weekend yachts. Sokolov and Mazeppa, his farting bulldog, enfold 바카라사이트 art world in a miasma of fetid gas, puncturing its pretensions and undermining its vaunted refinement. It’s a blast!”
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