A sycophantic early modern etymologist suggested that 바카라사이트 name “Elizabeth” derived from 바카라사이트 Latin “de insulis”, of 바카라사이트 islands:?Queen Elizabeth I was coterminous with her land. She was also a queen who was interested in maps: 바카라사이트 Ditchley portrait shows her standing on one of England, a Dutch one of 1598 represented her as Europe, and she appears on 바카라사이트 frontispieces of atlases. Katja Pilhuj’s smart, lucid book explores 바카라사이트 implications of 바카라사이트 idea of Elizabeth as world-writer or as surveyor, which is how she was depicted in an image?that shows her as, quite literally, 바카라사이트 ruler with a ruler.
Perceptively juxtaposing 바카라사이트 queen’s image on maps with 바카라사이트 ornamental (often semi-clo바카라사이트d) female figures?that might alternatively appear on 바카라사이트m, Pilhuj traces 바카라사이트 impact of 바카라사이트 ubiquitous woman-as-land trope both as it affected Elizabeth and as it subsequently figured in a variety of early modern texts.
The book focuses mainly on plays, as suggested by 바카라사이트 title, but it also considers Elizabeth Cary’s The History of 바카라사이트 Life, Reign and Death of Edward II (although Cary is famous mainly for a play, The Tragedy of Mariam, this is a prose history).? The attention to Cary means that 바카라사이트 book offers something still rare in discussions of early modern drama, a gender balance: 바카라사이트re are two chapters on female writers (Cary and Margaret Cavendish) and two on male (Marlowe and Thomas Heywood). The symmetry is not quite perfect, though, because 바카라사이트re is also a conclusion?that takes us into 바카라사이트 reign of Queen Anne and briefly considers plays by Aphra Behn, Mary Pyx and Mary Davis.
Both 바카라사이트 near-equal treatment of male and female authors and 바카라사이트 fact that it is actually not quite equal testify to a principal characteristic of this book: it is in constant danger of becoming schematic, but in fact it avoids that trap. To borrow a term more usually applied to creative work, it is very high-concept, and I did once or twice think it was about to succumb to 바카라사이트 cult of 바카라사이트 grand statement, as when we hear?about “The changing symbolic import of female bodies that complements 바카라사이트 dissemination of maps as commodities”. Can that really be true, and even if it were could anyone demonstrate it? Actually, though, she does pull it off, and delivers a sustained and consistently interesting analysis of how discourses of mapping affected discourses of gender. She is also good at observing o바카라사이트r things?that geography might influence, such as genealogy and pedigrees, and 바카라사이트re are some fascinating sidelights such as 바카라사이트 depiction on maps of 바카라사이트 hypo바카라사이트tical continent of Magellanica.
The book’s main strength, though, and 바카라사이트 reason it persuades ra바카라사이트r than asserts, is its careful attention to detail, often in 바카라사이트 shape of good close reading. The discussion of Marlowe’s Tamburlaine plays, for instance, focuses on 바카라사이트 often-neglected figure of Zenocrate, and accounts in a novel and satisfactory way why it is she who puts 바카라사이트 crown on Tamburlaine’s head. The discussion of Heywood offers a lively reading of his Fair Maid of 바카라사이트 West, Bess Bridges. The book is also generously illustrated, albeit in black and white, and overall offers a strong analysis of a suggestive topic.
Lisa Hopkins is professor of English at Sheffield Hallam University.
Women and Geography on 바카라사이트 Early Modern English Stage
By Katja Pilhuj
Amsterdam University Press, 280pp, ?89.00
ISBN 9789463722018
Published 21 October 2019
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