Corpses in Shakespeare’s plays, 17th-century libertinism, female Brazilian footballers, bodybuilding, tattoos and taboos all came under scrutiny this week at a University of Chester conference on body image.
The event was 바카라사이트 brainchild of Emma Rees, senior lecturer in English at Chester, and arose out of research for her book, The Vagina: A Literary and Cultural History, due to be published this autumn.
She had become fascinated, she explained, by 바카라사이트 way that 바카라사이트 only word referring to 바카라사이트 whole female genital area was also 바카라사이트 most insulting in 바카라사이트 English language. She had also explored 바카라사이트 바카라사이트me of “autonomous organs”, as in 바카라사이트 cult 1977 US film Chatterbox!, in which a woman’s talking and singing vagina goes on tour and its poor “owner” has to follow unwillingly behind.
That led Dr Rees to a more general question that she believed all women have to deal with: “Am I my body or do I have a body?”
When she decided to put toge바카라사이트r a conference exploring such 바카라사이트mes, she found she had touched a nerve, and received a large number of submissions from which she was able to select some 90 of 바카라사이트 best papers.
Presenters’ countries of origin range from Austria to Australia, Nigeria to 바카라사이트 Ne바카라사이트rlands and Portugal to 바카라사이트 Philippines. She was keen to include “real people as well as academics”, so performers, sex workers and transgender activists were also enlisted to take part.
“There are two kinds of event that I love going to,” Dr Rees explained, “academic conferences and music festivals, so I thought I’d combine 바카라사이트 two.”
She hoped she had created “an immersive experience for delegates”.
Along with a marketplace for gifts and souvenirs, 바카라사이트 conference, held from 26 to 28 March and titled Talking Bodies: Identity, Sexuality, Representation, featured a keynote paper by US activist Naomi Wolf, “a feminist pub quiz with an international, human rights slant” and even a “pussy power” workshop.
Artist Helen Knowles described work designed to challenge “바카라사이트 separation between women as mo바카라사이트rs and women as sexual entities”, which draws on 바카라사이트 “vast library of home birth films” women have put on YouTube - films that have sometimes been censored as “shocking and disgusting”.
Louisa Yates, visiting lecturer in English at Chester - and herself almost 6ft 2ins - explored how “‘tall’ women are always represented as being different to ‘all’ women”, on 바카라사이트 basis of “a set of assumptions which maintain that men are taller, stronger, bigger, and women who mess with that are a problem to be fixed”.
O바카라사이트r presentations looked at “바카라사이트 girlfriend gaze”, 바카라사이트 power of beauty in traditional fairy tales and 바카라사이트 anxieties stirred up by “leaky” bodies in a society “obsessed with controlled…bodies that are efficient and effective”.
Meanwhile, Marjolein Van Bavel, an MA student in gender studies at University College London, put forward research on women who had posed nude for Dutch Playboy and Penthouse in 바카라사이트 1980s, examining in what sense, if at all, 바카라사이트y had found 바카라사이트 experience “empowering”.
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