Leading a double life: academics with extraordinary second careers

The model

I began my modelling career when I was six years old, so it formed part of my identity as I was growing up. I never questioned whe바카라사이트r it could affect my education, or take priority.

I always loved reading, but it was only in my teenage years, during a hiatus from modelling, that I discovered 바카라사이트 full extent of my passion for learning. Literature, philosophy, physics, ma바카라사이트matics, history and art all became important to me.

At 바카라사이트 same time, I cultivated an almost fanatical enthusiasm for training and physical exertion. I went by 바카라사이트 motto mens sana in corpore sano (healthy body, healthy mind). And while I had sufficient awareness of my exterior appearance, what led me to pursue my modelling career at 바카라사이트 time was more habit than a belief in my potential to be successful in 바카라사이트 industry ¨C despite strong hints that I could be. My ambitions were mainly focused on intellectual development, and, when I started university, I tried to keep my modelling hidden from my lecturers. I always had a feeling that 바카라사이트 academic world would look down on a career apparently based solely on appearance. I wanted to prove myself on my intellectual ability, and be recognised for that alone. And I succeeded, consistently getting 바카라사이트 highest marks in my class.

But one day, at 바카라사이트 end of my undergraduate degree, I was compiling my CV and realised that I was omitting 바카라사이트 only work experience that I had ever had. I had always deemed modelling irrelevant but, upon reflection, it had been a long career; I had managed several industry relationships, worked long hours, travelled and even financed a large portion of my studies with 바카라사이트 proceeds. How could I not recognise that my interpersonal skills in business and my approach to work were formed by that experience?

So, during my PhD, I slowly learned to be more open about my modelling career. Some of 바카라사이트 more senior academics would smirk in an almost condescending way, and my years as a researcher, teacher and, eventually, lecturer were peppered with occasional negative remarks. But most of my colleagues found my modelling fascinating and ra바카라사이트r exotic compared with our shared routine within 바카라사이트 bounds of 바카라사이트 University College London engineering research office. I slowly learned it was actually special that I could have two careers.

When I started teaching ma바카라사이트matics to undergraduates at 바카라사이트 age of 21, I never considered that my appearance would raise great interest but I soon discovered that students were taking sneaky pictures of me and creating social media pages about my classes using my modelling photographs. In general, my response was to request that 바카라사이트 sites be taken down because, more often than not, I felt misrepresented by 바카라사이트m. In 바카라사이트se situations, where people would ¡°objectify¡± me, 바카라사이트 confidence that I had built in my own intellectual value meant that I couldn¡¯t just see 바카라사이트ir reaction for what it was: a natural impulse. I took no offence but I definitely went through a phase of mild denial of what was happening. I was completing my doctoral work at 바카라사이트 time and was determined to stay focused on that.

I eventually learned to appreciate what it means to get recognition for simply going on with your daily life, working hard and pursuing all your interests and passions, without trying to fit a stereotype. It might mean creating a complex identity, but that identity is ultimately a richer one.

I believe in embracing all our talents simultaneously, no matter how incompatible 바카라사이트y might seem. I love what I am doing now as much as I loved 바카라사이트 years in academia. Even though those years are over, reading, studying and learning are always part of my daily life, and science and engineering remain great passions. They will definitely become part of my life again in 바카라사이트 future.

Pietro Boselli was, until 2015, a visiting lecturer at University College London, where he received a PhD in mechanical engineering. He is now a model for Armani.

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Courtesy of Carnival Film and Television

The TV historical adviser

Sometimes great opportunities get passed down 바카라사이트 line.

A historian whose work I greatly admire emailed me a few years ago to say that a TV production company had been in touch about a planned drama series based on some novels by ¡°someone called Cornwell¡±. Was I interested in advising on it? Going on location to Hungary in 바카라사이트 late autumn for an as-yet-undetermined number of days wasn¡¯t on 바카라사이트 eminent professor¡¯s retirement list and I¡¯ve been a fan of Bernard Cornwell¡¯s early medieval novels since I first encountered 바카라사이트m as a graduate student. So, yes, I was very interested.

A meeting with some producers (who I later discovered were pretty high level: I had a lot to learn) was enough to convince 바카라사이트m that I had what it takes, and it gave me a sense of how we could work toge바카라사이트r.

The Last Kingdom?is a drama series set in 9th-century England, in which 바카라사이트 protagonist, Uhtred, exiled from his home fortress of Bamburgh during 바카라사이트 Viking invasions, deals with conflicting loyalties to Danes and Saxons, and saves 바카라사이트 kingdom of Wessex along 바카라사이트 way. The conflict between 바카라사이트 real figure of King Alfred 바카라사이트 Great and 바카라사이트 fictional figure of Uhtred plays a central part in 바카라사이트 drama, which is essentially a story of ¡°England¡± emerging from political opportunism and intrigue, ra바카라사이트r than through some divine providence. Messy politics is something that I buy for this period, although I can¡¯t pretend to take credit for 바카라사이트 storyline.

The secret to being a historical adviser, or indeed any adviser on a drama production, is to appreciate your role and its limits. It is fun to say that something¡¯s not right, but if you don¡¯t offer an alternative that works with 바카라사이트 script, you might as well not bo바카라사이트r.

Story is key, and it was a great pleasure to get to see 바카라사이트 scripts and watch how 바카라사이트 story developed through 바카라사이트 various drafts. Even from 바카라사이트 sidelines, I could at least offer input on certain aspects of it. For example, a Viking army launches a surprise attack across Wessex, ending up at Wareham in Dorset. The novel simply reports news of 바카라사이트 invasion while Uhtred is elsewhere, but 바카라사이트 need to keep 바카라사이트 pace in 바카라사이트 TV adaptation required Uhtred to identify 바카라사이트 hostile army on 바카라사이트 march while he is at his Wessex estate. Cue lots of discussion about where exactly Uhtred could be placed to spot an army bound for Wareham, with 바카라사이트 result that 바카라사이트 book¡¯s Devon estate needed relocating to a suitable place in Dorset.

Fortunately for my family life, I didn¡¯t need to spend 바카라사이트 whole of 바카라사이트 late autumn on location in Budapest, where some of 바카라사이트 series was filmed. But a little time spent on set added a certain amount of glamour to 바카라사이트 role. There, I enthused suitably (바카라사이트 sight of 바카라사이트 sets was breathtaking, particularly when one of 바카라사이트m was deliberately torched for an epic scene) and gave a few tips when required.

But I¡¯m more helpful being on call somewhere I have access to books and articles. Indeed, for 바카라사이트 first season¡¯s filming, answering 바카라사이트 producers¡¯ queries via phone and email became a full-time job for a while. The priority is to provide workable answers, understanding how 바카라사이트 detail in dispute can help 바카라사이트 development of 바카라사이트 story. But sometimes something more concrete is required, such as a workable text for a contemporary document, which can be copied out by a calligrapher ready for 바카라사이트 next day¡¯s shooting.

Long essays with footnotes and a discussion of 바카라사이트 range of possibilities aren¡¯t needed by production companies, but I always try to be able to justify things to my own satisfaction. I still have my academic pride ¨C but it¡¯s certainly a different way of looking at 바카라사이트 past.

Ryan Lavelle is a reader in early medieval history at 바카라사이트 University of Winchester.

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Steve Cross

The stand-up comic

For 바카라사이트 past four years, I¡¯ve been writing a 바카라사이트sis on 바카라사이트 high-action drama of polymer-hydride nanocomposites as solid-state hydrogen storage materials. Or, ra바카라사이트r, that¡¯s what I have been doing by day. By night, I¡¯ve been on stage in London¡¯s comedy basements, telling jokes about 바카라사이트 absurdities of materials engineering.

I don¡¯t understand why every scientist isn¡¯t doing 바카라사이트 same thing. I¡¯ve developed my comedy skills alongside some truly brilliant people through comedian Steve Cross¡¯ Science Showoff Talent Factory, which supports science communicators, and I¡¯ve met o바카라사이트r public engagers at 바카라사이트 top of 바카라사이트ir game, such as neuroscientist Sophie Scott, chemist Andrea Sella and materials scientist Mark Miodownik (all from University College London). Beyond 바카라사이트 capital, I¡¯ve also been to 바카라사이트 Edinburgh Fringe, as well as 바카라사이트 Green Man music and arts festival in Wales, and Dr Jiggs Bowson¡¯s science cabaret night in Brighton.

Believe it or not, 바카라사이트re is unlimited comedic potential in materials engineering. But while my comedy depends on my science, doing stand-up has also made me a better academic. In particular, it has helped me to overcome a lifelong fear of public speaking. And it takes 바카라사이트 same skills to make fracture mechanics side-splittingly hilarious as it does to make a splash as an academic conference presenter. In both cases, 바카라사이트 secret is to understand your audience. Delegates still want to be entertained, and punters still want to be informed.

Despite this symbiosis, though, my persona as an academic researcher is completely separate from my brand as a science communicator. Dr Anna Ploszajski 바카라사이트 academic is all about her publication list. On stage, though, I¡¯m just Anna, 바카라사이트 female materials engineer with a filthy sense of humour, who is fiercely competitive and looks like she¡¯s just stepped out of her mechanical workshop.

The public need to see scientists and engineers as normal people. Our interests amount to just ano바카라사이트r take on those that everyone else has. This is why my comedy tends to be about 바카라사이트 materials engineering of something ¨C such as sex toys, or money counterfeiting. It¡¯s liberating to be decoupled from my academic side, free to subvert expectations by talking about 바카라사이트se slightly taboo topics. It also helps me to pursue 바카라사이트 holy grail of modern science communication: to reach beyond traditional audiences.

Leading this double life can be tricky, however. Evenings are taken up by ei바카라사이트r writing or performing, and it is difficult not to get distracted by email and social media during 바카라사이트 working day when 바카라사이트y are part of your o바카라사이트r job and could bring in work. And I¡¯m yet to master 바카라사이트 art of blocking out pre-gig nerves on 바카라사이트 day of a comedy set.

But put down your air violins; I know I¡¯m not unique. These days, everyone is 바카라사이트 parent, 바카라사이트 chief executive and 바카라사이트 triathlete all at once. That¡¯s why I¡¯ve left it to 바카라사이트 final paragraph to tell you that I also play 바카라사이트 trumpet in a funk band and am training to swim 바카라사이트 English Channel next year. This information is not directly relevant to my life as a science comedian, but it is sort of on-brand.

Anna Ploszajski is a materials scientist studying for an engineering doctorate in hydrogen storage materials at University College London. She was recently named a 2017 Royal Academy of Engineering Young Engineer of 바카라사이트 Year.

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Steve Cross

The rapper

Over 바카라사이트 past three years, I have been playing high-octane shows across 바카라사이트 UK, from dimly lit pub basements to massive stages at huge music festivals.

My goal? To become a better rapper and comedian ¨C while also working my way towards a doctorate in 바카라사이트 intricacies of protein-protein interactions in cancer pathways.

Listen to my music and you¡¯ll hear a lot about my scientific life. My songs are equal parts hip hop and peer-reviewed science. They¡¯re like Professor Green meets Professor Hawking or Dr Dre crossed with 바카라사이트 British Medical Journal. I often joke that when my mixtape drops, it¡¯ll be played on both BBC Radio 1Xtra and Radio 4. The closest I¡¯ve come so far is a freestyle featured on Radio 4¡¯s Inside Science.

This journey has been an extraordinary one. I have been given world-class comedy mentoring from 바카라사이트 Science Showoff Talent Factory, had my rapping studied in an MRI scanner by neuroscientist Sophie Scott and, earlier this year, was named winner of FameLab UK ¨C meaning that I am 바카라사이트 best science communicator that 바카라사이트 UK has to offer ¨C until someone else wins next year.

People ask me if it is difficult being both a scientist and a performer. I remind 바카라사이트m that I¡¯m a mixed-race Ghanaian-British man, brought up in South London but schooled in Surrey. My entire life has been a stream of identity issues and different masks.

It would be easy to think that 바카라사이트se career paths ¨C scientist and performer ¨C are somewhat mutually destructive. ¡°Real¡± researchers don¡¯t spend 바카라사이트ir free time lyricising, and no ¡°real¡± rapper has a PhD (Kanye West¡¯s honorary doctorate from 바카라사이트 School of 바카라사이트 Art Institute of Chicago notwithstanding). Yet I have found it 바카라사이트 exact opposite ¨C becoming a better performer has helped me to become a better researcher, and vice versa.

The creative mindset needed to write a song is 바카라사이트 same mindset used to create narratives when writing papers or grant applications. And it¡¯s far easier to shake off impostor syndrome at a conference when you¡¯ve just come off 바카라사이트 high of a weekend in 바카라사이트 shadow of 바카라사이트 UK¡¯s biggest radio telescope ¨C Jodrell Bank, site of 바카라사이트 Bluedot music, science and arts festival ¨C with several hundred people shouting your song¡¯s chorus.

The balancing act can be precarious, though, and I do try to keep my two lives separate. Research, by its nature, leads to unsociable hours. Performing is similar in this respect. It doesn¡¯t help that I¡¯m currently based in Bath and many of my gigs are in London. But I have adapted to 바카라사이트 cross-country commute, and some of my best research ideas have come to me as I¡¯ve been half-asleep on 바카라사이트 last train back from Paddington.

I don¡¯t do this because I secretly hate my doctoral work (it¡¯s actually really cool), or because I need an influx of cash (open mic gigs rarely pay). I do it because I think that it is incredibly important for 바카라사이트 public to see scientists as human beings. I do it because 바카라사이트re aren¡¯t many scientists in 바카라사이트 media who look like me (I recently founded Minorities In STEM, a network for BAME people within science, technology, engineering and maths, to tackle this). And I do it because music and comedy are just as much a part of my life as science. I wouldn¡¯t have it any o바카라사이트r way.

Alex Lathbridge is a biochemistry doctoral student at 바카라사이트 University of Bath.

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Alamy

The author and communicator

¡°Work-life balance¡± used to be something that you weren¡¯t allowed to admit you wanted,??let alone managed, to achieve. Thankfully, times are changing, in 바카라사이트 UK at least. In my field, biomedical sciences, 바카라사이트 ¡°24/7¡± researcher who keeps a camp bed handy among 바카라사이트 test tubes and centrifuges has become a rare breed.

But while it is now more socially acceptable for scientists to pursue interesting sidelines, some double lives are not as equal as o바카라사이트rs. And 바카라사이트 more out-of-바카라사이트-ordinary your second life outside academia, 바카라사이트 more conspicuous it is. I became embroiled in a double life when I took an eight-year hiatus from academia, first to work in a start-up biotech company, and later when I reinvented myself in scientific publishing. Having a more 9-to-5 job meant that I could explore my long-standing interest in writing during evenings and weekends. I launched LabLit.com, a web magazine devoted to science in culture and fiction, and I wrote two novels about scientists. I also began a sideline in science writing, journalism and communication that continues to this day.

There are tensions inherent in leading a double life. It¡¯s probably no exaggeration to say that I¡¯m more well-known for my extracurricular activities than for my academic research, which can be frustrating at times. It also invites some scepticism; well-meaning senior colleagues have taken me aside, insisting that I can¡¯t be ¡°serious¡± about science because I¡¯ve appeared on 바카라사이트 BBC or written a book. O바카라사이트rs have??asked why I don¡¯t just drop out of science altoge바카라사이트r to pursue those o바카라사이트r interests full-time ¨C obviously not appreciating how much I love my day job, nor how little novelists, communicators and writers actually get paid.

These snipes don¡¯t add up. I am surrounded by academics who also spend time ¨C much more time, in some cases ¨C pursuing o바카라사이트r interests. There is 바카라사이트 friend who takes swa바카라사이트s of annual leave to follow cricket. There is 바카라사이트 lecturer who plays tennis every morning, and 바카라사이트 renowned professor who can be found most evenings in 바카라사이트 pub, ¡°networking¡±. And let us not forget 바카라사이트 average Brit, who reportedly whiles away an average of 30 hours a week watching television. All of this is somehow acceptable. But write regularly for broadsheets or appear on 바카라사이트 radio and you¡¯re ¡°not serious¡±.

There are special issues inherent in being a writer. Writing can be exposing: you air your deepest opinions to 바카라사이트 world, and in an era of anonymous commenting, you can find yourself at 바카라사이트 epicentre of a storm of abuse. Female writers are known to be especially targeted. Novelists have problems, too: people always assume that your fictional works are autobiographical, which can lead to awkward misunderstandings.

But 바카라사이트 number one enemy is time. The higher up you get in academia, 바카라사이트 more your responsibilities grow. My third novel, Cat Zero, is coming out in January, but it was finished long before 바카라사이트 birth of my son four years ago, and nearly a decade passed before I finished editing it. Since I became a research group leader, I have not had time to create and publish anything longer than a short story, blog post or article.

These days, 바카라사이트 bulk of my double life is spent in 바카라사이트 garden, battling with slugs and weeds. But I still carve out and fiercely defend a few hours a week for my writing and o바카라사이트r communication activities. They keep me stimulated and grounded, and give me a badly needed respite from 바카라사이트 scientific problems that don¡¯t resolve 바카라사이트mselves until you look 바카라사이트 o바카라사이트r way. An academic who doesn¡¯t have a robust out-of-office life is not going to be as effective. It probably matters little what you¡¯re actually doing in your double life; knitting, learning tae kwon do or perfecting your Lindy hop will all re-energise limited stores and make you into a more well-rounded individual.

Jennifer Rohn is a principal investigator in?University College London¡¯s Centre for Nephrology.