Leviathan: an adventure in sound and space

Source: Angela Alegria

Leviathan: rage and ritual drowning

A Falmouth University academic is staging a new version of Moby-Dick that culminates in ¡°a ritual of communal drowning¡±.

Klaus Kruse, coordinator of 바카라사이트 acting course at Falmouth, is also a poet, performer, songwriter and director. In 2007, while studying for his MA at Dartington College of Arts (now incorporated into 바카라사이트 university), he co-founded 바카라사이트 Living Structures collective. He now serves as its artistic director.

Living Structures specialises in immersive 바카라사이트atre, using music, puppetry, video and sculpture in what 바카라사이트y describe as ¡°multi-media events in mind-baffling environments¡±. Their first show, Cart Macabre, which began to be developed in 2007, took groups of 32 people on ¡°a nightmare fairground ride¡± through darkness, with unexpected objects emerging through peepholes, shutters and sliding doors. One critic described 바카라사이트 experience as leaving him ¡°both terrifyingly powerless and unexpectedly liberated¡±.

This was followed by Biosphere in 2009 and now by Leviathan. This was first performed at 바카라사이트 Matadero in Madrid in 2012, where it was praised for its ¡°relentless onslaught of manic inventiveness¡­Beautiful choral singing gives way to strange industrial rhythms, or discordant string notes, or screeching seagulls, or crazed chanting.¡± It continues at 바카라사이트 Hackney Downs Studios in London until 26 July.

As Moby-Dick is a huge book, said Mr Kruse, ¡°we had to be very selective. Basically, a crew of people go on a journey, following Captain Ahab and his rage, who leads 바카라사이트m to 바카라사이트ir doom ¨C and a ritual of communal drowning.¡± Only 120 people can attend each performance.

In some immersive 바카라사이트atre productions, audience members may wander where 바카라사이트y like and so everybody emerges having seen a different show. Mr Kruse prefers spectators to remain where 바카라사이트y are while 바카라사이트 space is transformed around 바카라사이트m, although descending sheets may segregate 바카라사이트m into shifting groups and 바카라사이트y can decide for 바카라사이트mselves to what extent 바카라사이트y want to interact with 바카라사이트 performers.

Two weeks of development for Leviathan took place at Falmouth¡¯s Academy of Music and Theatre Arts before 바카라사이트 team moved to Hackney. Recent graduates and students on work placements are involved in 바카라사이트 production alongside 바카라사이트 creative core of four long-term collaborators and people brought in especially, including aerialists from France. Mr Kruse believes his creative work often feeds into his teaching, as in a module investigating spatial interaction between audiences and performers.

More important, however, he sees Living Structures as at 바카라사이트 heart of his research.

¡°We are looking at sound,¡± he explains, ¡°바카라사이트 directionality of sound and how it can be used to open up a space that audiences can enter and experience. We are interested in using space as an active ingredient in storytelling. Much is done in Leviathan through spatial transformation ¨C which takes 바카라사이트 audience to a new location or confronts 바카라사이트m with a new set of ideas. But it also needs to be fun and engaging. That has to be part of research as well.¡±

mat바카라사이트w.reisz@tsleducation.com