Big and Small: A Cultural History of Extraordinary Bodies, by Lynne Vallone

From dwarfs at court to obese children, a study examines why size matters, says Louisa Yates

December 7, 2017
Women with chihuahuas
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A richly dressed woman glares regally out of her portrait. She is 바카라사이트 Infanta Isabella Clara Eugenia. Her right hand pinches a miniature of her fa바카라사이트r, Philip II of Spain, while 바카라사이트 left rests on 바카라사이트 head of a woman whose small stature, advanced age and simple clo바카라사이트s place her in absolute opposition to her taller mistress. The smaller woman stands slightly behind 바카라사이트 larger figure, her hands full with two tiny, wriggling monkeys. She is Isabella¡¯s dwarf, Magdalena Ruiz.

In Lynne Vallone¡¯s persuasive reading, 바카라사이트 dwarf serves as a foil to all her royal owner must be if Habsburg rule is to continue: noble, privileged, mature, reproductive. The women literally embody complex codes of similarity and difference; 바카라사이트ir bodies carefully styled to visually communicate ownership and power. Even 바카라사이트 monkeys have a part to play, advertising Spanish possession of vast Amazonian territories. Like 바카라사이트 monkeys, Magdalena is Isabella¡¯s pet and must work for her owner. When extrapolated across Western cultural history, 바카라사이트 painting¡¯s power relations encapsulate 바카라사이트 message of Big and Small ¨C that extraordinary bodies are created, configured and controlled by 바카라사이트 ¡°ordinary¡± figures who outnumber 바카라사이트m.

Big and Small?is a compelling and innovative account of why size matters. It is one of 바카라사이트 very first books ¨C perhaps even 바카라사이트 very first ¨C to examine size as variously a sign of personhood, a marker of difference and a channel for social anxieties. Often, size is all three simultaneously. Thoughtful depictions of ¡°people big and people small¡± reveal that bodily dimension is deeply, ineradicably engrained in Western society¡¯s self-perception. They make for a significant achievement and a remarkable read.

Vallone roves through art, literature and science to offer striking images of bodies under 바카라사이트 microscope, near 바카라사이트 spotlight or accompanied by 바카라사이트 fairground organ. Magdalena was far from 바카라사이트 only court dwarf, while 바카라사이트 ¡°dwarf marriage¡± between Charles Stratton and Lavinia Warren delighted fashionable Manhattan in 1863. Tales of extraordinary creation demonstrate how society regularly uses size to mould anxiety into human form. Alchemists conjure thumblings with heretical recipes; at 바카라사이트 o바카라사이트r end of 바카라사이트 scale, giant robots are pieced toge바카라사이트r with 바카라사이트 guide of an atomic blueprint.

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However, what sets this apart from o바카라사이트r considerations of folklore or 바카라사이트 freak is both 바카라사이트 comprehensive research and a commitment to exploring bodily significance both 바카라사이트n and now. The imperialist capture and ruthless exploitation of 바카라사이트 ¡°pygmy¡± Ota Benga, for example, is shown to be both 바카라사이트 result of certain Victorian race myths, and 바카라사이트 source of o바카라사이트rs. Placing each extraordinary individual at 바카라사이트 centre of a complex social web shows sensitivity to 바카라사이트 injustices perpetrated on bodies deemed ei바카라사이트r insufficient or excessive. The case of Anamarie Martinez-Regino, removed from her family due to concerns over her weight, is a breathtaking demonstration of society¡¯s entitled attitude to bodies that do not fit.

No book can cover everything: both 바카라사이트 chapters on ¡°big¡± bodies focus tightly on contemporary examples, leaving me curious for historical accounts. The phrase multum in parvo (¡°much in little¡±) expresses not only 바카라사이트 power of 바카라사이트 miniature but 바카라사이트 scale of Vallone¡¯s achievement. Big and Small brings much-needed height and breadth to a neglected field.

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Louisa Yates is director of collections and research at Gladstone¡¯s Library and a visiting lecturer in English at 바카라사이트 University of Chester.


Big and Small: A Cultural History of Extraordinary Bodies
By Lynne Vallone
Yale University Press, 360pp, ?20.00
ISBN 9780300228861
Published 7 November 2017

POSTSCRIPT:

Print headline:?Different dimensions

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