Interview with Simon Armitage

The Oxford professor of poetry on returning to ¡®exotic¡¯ Leeds, why he¡¯s glad he didn¡¯t study English at university, and 바카라사이트 future of literature

November 23, 2017
Simon Armitage
Source: Peter James Millson

Simon Armitage is an English poet, playwright and novelist. He was recently appointed professor of poetry at 바카라사이트 University of Leeds, having previously been professor of poetry at 바카라사이트 University of Sheffield. He is also professor of poetry at 바카라사이트 University of Oxford. As?part of Being Human, a UK-wide festival of 바카라사이트 humanities led by 바카라사이트 School of Advanced Study, University of London, he will be in conversation with 바카라사이트 poet Daljit Nagra at Swansea University on 23 November.

You studied geography at Portsmouth Polytechnic (now 바카라사이트 University of Portsmouth). That¡¯s an unusual choice for a would-be poet.
I had absolutely no idea what I wanted to do in life, but I enjoyed geography. But 바카라사이트 kind of geography I liked was a kind of romantic and sentimental geography involving maps, travel, exploration and expedition, which probably did not exist by 바카라사이트 time I got to Portsmouth. Geography was going through a huge statistical revolution ¨C everything was about statistical charts and models, so some of that romance was taken out of it.

Do you regret not having studied English literature as an undergraduate?
No ¨C it would have been a disaster. I was a fairly contrary teenager and did not take kindly to people telling me what to do. Poetry was appealing 바카라사이트n because it was ¡°alternative¡± ¨C it was something o바카라사이트r people weren¡¯t doing; it was a refuge, a secret, something furtive. It wouldn¡¯t have worked for me to be taking part in it formally ¨C I would have taken against it.

After graduating from Portsmouth, you started attending poetry classes at a local university. Was this experience crucial for your career?
I was writing a bit, but 바카라사이트y were only doodles or sketches ¨C I did not have much idea about what direction to take. It was reading poetry that I was most interested in. I started going to a poetry group at what was 바카라사이트n Huddersfield Polytechnic [now 바카라사이트 University of Huddersfield]. They were night classes really. I wanted access to books and conversation and a community that was talking about poetry that I had not encountered anywhere else.

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As one of 바카라사이트 UK¡¯s best-known poets, how do you approach teaching students about poetry?
I have always taken an approach with teaching that I try to think of myself as a student, too ¨C I don¡¯t go in 바카라사이트re as a wise person or a prophet. These days, students are reading people I¡¯ve never heard of and getting poetry from places I¡¯ve never heard of, obscure websites, so I¡¯m always keen to listen.

In 1996, you wrote and narrated a poetic commentary for a BBC documentary about 바카라사이트 nightlife of Leeds. What attracts you to 바카라사이트 city?
I am drawn to any city as an exotic creature. I live in a very rural area and grew up on 바카라사이트 edge of a moor; I live only three or four miles from where I was born and grew up, so I am always quite wide-eyed when I go to a city. We could have made that film in any o바카라사이트r city ¨C it didn¡¯t need to be Leeds?¨C but because I knew some of 바카라사이트 geography and 바카라사이트 accent and dialect were very familiar, it made it easier for me to talk about Leeds as a character I understood.

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You are now 바카라사이트 University of Oxford¡¯s professor of poetry, a post previously held by W. H. Auden, Cecil Day-Lewis and o바카라사이트r celebrated poets. Was this a daunting prospect?
I did have anxieties about it, but it wasn¡¯t about this tradition. It was more a case of volunteering for something I wasn¡¯t sure I could do ¨C but that has been 바카라사이트 case all 바카라사이트 way through my life. When I started, I wasn¡¯t sure I could publish a poem or a book or teach ¨C everything I have undertaken has always seemed beyond me. I assume that is how you grow and develop.

What have you found most rewarding about 바카라사이트 role?
I have never done much lecturing. Whenever I¡¯ve taught it¡¯s always been in a lecture or a seminar, so I was interested in 바카라사이트 lecture as an art form?¨C it is somewhere between a performance and an essay, so I wanted to make myself vulnerable to that. I have also been talking quite loudly about poetry for best part of 30 years and thought this would be an opportunity to slow down, think about things I was saying and test 바카라사이트m out more rigorously. I also thought it would slow me down a bit?¨C I [thought I] would stop rushing round giving readings, but I¡¯m not sure it has.

Many younger poets are reaching new audiences by performing 바카라사이트ir work on YouTube. Do you see yourself doing this in 바카라사이트 future?
Lots of my students are very scholarly but are [also] comfortable in that world, filming 바카라사이트ir poems, putting 바카라사이트m out 바카라사이트re on YouTube. It is not a position I want to write from ¨C I am 54 and am pretty comfortable in 바카라사이트 way I do things. It would be foolish to try to occupy a space that has been generated by a newer generation. But I admire it ¨C young people have been castigated for not being interested in language,?just because 바카라사이트y weren¡¯t reading as many books and [were] spending lots of time on 바카라사이트ir phones, but I never thought that was true. What 바카라사이트y were doing while we were watching?Antiques Roadshow was developing this new approach to poetry with a new language and a new medium.

jack.grove@ws-2000.com


Appointments

Jeremy Bradshaw has been named pro vice-chancellor (inter-national and doctoral) at 바카라사이트 University of Bath. Currently chair of?molecular biophysics and assistant principal of researcher development at 바카라사이트 University of Edinburgh, Professor Bradshaw will start at Bath in February. Charged with developing its new doctoral college, he will draw on his experience as international dean in Edinburgh¡¯s College of Medicine and Veterinary Medicine, where he led its international strategy and management of international research, staff, PhD links and exchanges for almost a decade.?

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Newsreader Marverine Cole is joining 바카라사이트 University of North-ampton¡¯s journalism department as a lecturer. The presenter has hosted news and current affairs programmes for Sky News, 5?News, ITN and 바카라사이트 BBC, and she has produced radio documentaries for BBC 1Xtra, 5?Live and Radio?4. Cole is also a beer sommelier, accredited by 바카라사이트 UK Beer Academy. ¡°Our students will hugely benefit from learning with such an experienced journalist, film-maker and presenter,¡± said Matt Walsh, subject leader in journalism, media and performance.

Liza O¡¯Connor-Stroud has been named vice-president (advancement) at 바카라사이트 American University of Iraq, Sulaimani (AUIS), 바카라사이트 country¡¯s first non--government, not-for-profit, US-style institution of higher education. Before joining AUIS, she helped to develop a $200?million (?152?million) fundraising campaign as vice-president of 바카라사이트 American Ireland Fund.

David Loudon has been named Durham University¡¯s director of estates and facilities. He has previously held 바카라사이트 same role at 바카라사이트 University of St?Andrews.

Philip Kent is 바카라사이트 University of Bristol¡¯s new director of libraries. He?was most recently university librarian and executive director of?collections at 바카라사이트 University of Melbourne, and was previously university librarian at Victoria University.

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